Saturday, February 23, 2013

Dead is the Skin I Love





Ottox Dix (Prostitute and War Wounded)
*

‘Isn’t it strange that in French, l’amour et la mort – love and death – are near homonyms?’
‘And what do you make of it?’
‘Think about it: all the love metaphors in French, un coup de foudre, la petite mort, etc., are death-related.’
‘In English too. To fall for someone, is a bit like falling from grace.’
‘It must be that love carries from within the seeds of its own destruction.’
‘You mean love is an impossibility?’
‘In a way, yes. One way or another, lovers always end up breaking up.’
‘And why is that?’
‘Because love is an illusion, which lasts as long as you want to believe in it.’
‘I am not much of a believer in idols. But I believe in the disfigurement of death.’
‘You must have had a lot of lovers, then.’
‘I did. And killed every single one of them – not literally, no of course.’
‘I understand.’
‘I bear the trace of their absence on my skin, like so many scars, to remind myself that life is transient, so that when my body decomposes, stitches will be the only thing remaining as a proof of my past existence. So that a pattern may emerge out of it all that finally makes sense to others.’

*

After they had made love, he took a long, cooling shower, to wash away the pain he now felt. They had just met, and it may be years till they met again. Tonight was to be their last night. He would miss those interminable, absurd conversations of theirs, but most of all he would miss her body. There was always a lack at the core of his being that nothing would fill – not even the act of sex. He crouched under the water jet, one arm against the wall to keep from sinking further below, and cried silently. He had not thought separation would be that hard.

Her face caught his as he came out of the bathroom and stood by the doorframe, his wet skin glowing with a strange intensity. She loved the tallness and slimness of his limbs, as well as the curviness of his waist. There was something almost feminine and fragile about him that had attracted her immediately. She could see through the rough edges of his character and the solitude he seemed to carry everywhere like a badge of pride. The face she now saw badly masked a confusion of emotions with a false air of nonchalance. Even though she knew next to nothing about him, and despite those many months of sporadic epistolary exchange, and much more recently, feverish love-making, she could guess he was a bad liar. Or perhaps it was the psychologist in her.

*


‘I will miss you when you leave,’ she said flatly.
‘Like a leaf falling from a tree.’ Hiding distress with cheap poetry, she thought.
‘So we must drink to your bright future, Doc!’ Hiding sadness with forced joviality, he thought.
‘I will go fetch that wine you love, O sweet-sour elixir of forbidden passions…what is it called again? Cap Shiraz?’
‘You wouldn’t forget!’
‘It doesn’t matter – and then he added – his voice resonating from the kitchen with ominous portent, yet in a such a way that pretended to be noncommittal. She heard the unmistakable tone of alarm more clearly than if he had uttered those words in front of her: ‘Nothing really matters, unless you follow me to Paris, then you can have all the wines you’ve ever dreamt of.’

When he returned with the wine and two glasses, there was no trace of lightness on her face anymore – this same lightness of being which made her leap instead of walking, declaim instead of talking, somersault instead of mechanical fucking.
‘What can you possibly mean? You have a “girlfriend”, remember?’ Those damned suspension brackets of his, she thought as she mimicked brackets with her forefingers, who is he trying to fool? I am the bracket in his life, a supplement to validate his delusions of grandeur. And I was mostly fine with it. So what now? Where is he getting at?

‘I’m sorry. I’m not getting anywhere. I will not drag you into this – he made a vague gesture with his hands – ‘nothingness.’ Typical of males, to take with one hand what you give with the other, love reduced to exchange value. Yet another case of bad romance. She tried to refocus.
‘Don’t get all sentimental on me. Tomorrow you’ll be gone. Let us at least try to enjoy those last hours together.’ 
There was something almost masculine about her demeanor, in the sultriness of her voice, the affirmation of her tone, the detonating warmness of her laugh, like dynamite, the strong features of her face, and her long, dark straight hair, which she had once shaved, along with that leather jacket he remembered seeing her wear – not to look the stereotypical Asian female part, perhaps? Yet he was able to see through all of it, past the racial element, past the persona she must have built with such minutia, and toward the marrow of her deeper self – what made her unique and distinct from all the rest. Or perhaps it was the novelist in him.

They sipped their wine in silence. He lit a cigarette. She snuggled against him and he took her in his arms. It must have been close to midnight. This was going to be a long night.

*

‘You did not really mean what you said earlier, did you – about Paris?’
‘There is le dire and le vouloir dire, in-between which lies the irreducible slippage of the non-dit.’
‘There is more to it than the treachery of language. The heart itself pulsates with half-lies and half-truths, in that fraction of time between one beat and another, when life itself is on hold, suspended belief, foolish expectations, a kiss that takes the lover’s breath away, for ever or so it seems…’
‘…and in the act of dying-and-being-reborn, each time made anew, the moment I saw you, scrapping off my old skin…’
‘You only saw what you wanted to see.’
‘And what is it that I saw?’
‘You saw an exotic woman, easy-early bird of prey, to satisfy your lust of the Orient. Nothing but a number – one of the many students you fucked, Prof. Yet you saw more, I will not deny it.’
‘What else did I see?’
‘You saw a supplément d’âme, not a soul mate; in that way only could you possibly have loved me – that night when we first had sex and you dared whisper the three-word phrase right to my ear.’
‘What else?’
‘You saw someone you could escape with, from the impossibility of true love, Love with a capital L, which keeps eluding you, I, all of us.’
‘You saw chronic dissatisfaction at your doorstep, you saw me in your dream while you were fucking your femme, enchained by displacement.’
‘You saw those phantom limbs of the past returning to haunt you, when you had thought, albeit with bracketed irony, that finally, you may have ‘settled’ with someone, only to find that that someone is – me.’
‘Is that all?’
‘You also saw I wanted you, and you could not resist the call. Now look at you, pondering on whether or not to leave your ‘girlfriend’ (mind the brackets) – for me (mind the dash) as if weighing sundry fruits on a balance at the cashier.’

*

He met his ‘girlfriend’, which he had always been careful to call a friend – hence the brackets – almost a year ago, and thought himself ‘freed’ from the web-like contingency of relationships. Until he answered the other’s call. Until quite quickly, what he had feared and desired at the same time occurred: the supplement had mutated into something of an altogether different nature, and he could not distinguish centre from periphery anymore. Until finally, a new center risked displacing the old one.

She remembered the first time he entered the classroom, and declared he was their French teacher. She always had something of a fantasy – no more than a whim – for teachers, especially French! Imagine! And when he asked her for coffee, she wore a yellow skirt and black boots to impress him. He, being unable to avert his eyes from the folds of her neck – and those ear piercings of hers! She, wishing the moment would never end, yet all the while reassuring herself that this was all a bit of fun. Yet here they were now, searching for each other’s eyes, debating on the meaning of love. Lying on that bed of his, which in so brief a time, they had learned to make theirs.

‘What did I see?’ she asked, and turned her face upwards, toward the ceiling, away from his arresting gaze. But there was no escape, for the masquerade was long overdue, the act of reckoning before them both. For they must kill that gnawing ‘thing’ standing between them once and for all – call it love if you like – or somehow resurrect it, to then propel it onto a whole new plane before it left them with nothing but an empty shell. For while both knew love was a fraud, there was the hope that in the process of this act of perjury, something more would be revealed, something worth pursuing, although they would have denied such a thing existed.

‘You saw an exotic young man whose distance, whose very foreignness, made you feel at home – yet another act of displacement.’
‘You saw my vacillations as a reflection of your own uncertainties, just as you saw in my ‘freedom’ of choice a confirmation of your own ‘enslavement’ into the role of supplement.
‘What else did I see?’
‘You saw French romance when this is Australia, you saw a successful academic when success in itself is vain, you saw an accomplished man in place of a frightened child, yet you saw more and I thank you for that.’
‘I saw in the novels we shared a pathway to those fictive selves we had imagined for ourselves, and which now reside in me, in you, and to a great extent define who we really are.’

*

‘Come,’ she took him by the hand and drew the blanket over. ‘We must bury the dead: Is it not what love-making stands for in the face of the severed birthstrings of affect? Do you feel how cold I am?’
‘Like fucking a corpse, yes.’
‘All the pores of my flappy scaly skin oozing with the rotten smell of your departure.’
‘We will remain – remains.’
‘Keep lying, with me, to me, or else my blood will freeze.’
‘Take me.’
‘With you, from you – fort da.’
‘Between désire d’amour and désire de mort.’








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